At long last, the Yellow Foot Chanterelle (left) has made an appearance here in Seattle. A week ago I went mushrooming for Chanterelles - slightly unusual for this time of year - usually they're either A. giant and soggy or B. it's become too cold and they've gone to sleep for the year - but it was so incredibly dry in late summer/early fall that their season was pushed back a bit and it hasn't been too rainy yet thus far. All in all it was a good haul (see below). However, this unusual season also meant that the Yellow Foot Chanterelles weren't out yet, yet last year in early November (the very end of usual Chanterelle season) they were out in droves. But...they must be out now as the foragers at the market had a soggy basketful.
Wandering in the woods causes one to reexamine listening in our daily lives - the thick moss beds covering everything creating a completely different way of not only hearing sound, but interacting and moving through it and realizing one's own participation in the creation of sound. These ideas show up in my own work all the time - mainly in abstract ways - but recently I finished a piece for men's choir and percussion ensemble for Ken Pendergrass at SPU, and the work requires the percussionists to improvise at the end of the work using a tray full of natural objects they've collected to create the sound of moving through the woods. The singers are also required to play natural objects - rustling branches to create additional textures. Listening in new contexts seems to be happening all over - when I embarked upon the Sunset + Music tour over the summer I met a number of interesting people doing similar things, among them Tom Peyton. He and his group at DoTank do listening experiments like this one quite regularly. Technology has surely changed how we listen to music and media in general; hopefully positive contributions like that will be a counterbalance to the potential for sound to become less consequential in these strange times of fear and loathing.
11/21 listening list
Talking Heads - Remain in Light
Open Graves with Stuart Dempster - flight patterns
Smog - dress sexy at my funeral
Django Reinhardt - All Star Sessions
F. Couperin - Harpsichord Suites
Tom Baker - Hunger
Django Reinhardt - Souvenirs
Wandering in the woods causes one to reexamine listening in our daily lives - the thick moss beds covering everything creating a completely different way of not only hearing sound, but interacting and moving through it and realizing one's own participation in the creation of sound. These ideas show up in my own work all the time - mainly in abstract ways - but recently I finished a piece for men's choir and percussion ensemble for Ken Pendergrass at SPU, and the work requires the percussionists to improvise at the end of the work using a tray full of natural objects they've collected to create the sound of moving through the woods. The singers are also required to play natural objects - rustling branches to create additional textures. Listening in new contexts seems to be happening all over - when I embarked upon the Sunset + Music tour over the summer I met a number of interesting people doing similar things, among them Tom Peyton. He and his group at DoTank do listening experiments like this one quite regularly. Technology has surely changed how we listen to music and media in general; hopefully positive contributions like that will be a counterbalance to the potential for sound to become less consequential in these strange times of fear and loathing.
11/21 listening list
Talking Heads - Remain in Light
Open Graves with Stuart Dempster - flight patterns
Smog - dress sexy at my funeral
Django Reinhardt - All Star Sessions
F. Couperin - Harpsichord Suites
Tom Baker - Hunger
Django Reinhardt - Souvenirs
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