On July 22nd in Seattle, percussionist Bonnie Whiting and cellist Karl Knapp will be in Seattle to present a program of new works by Nat Evans, John Teske, and others at The Chapel. Knapp and Whiting were both professors at the University of Alaska in Fairbanks for the 2012-2013 school year and are doing a series of joint recitals around the country. Each performer will  present solo works as well as duets. Karl Knapp will be debuting a short new piece by Nat Evans for solo cello and train sounds on vinyl. Instead of a typical configuration for solo instrument with electronics, the performer is instructed to acquire an LP of train sounds of their choosing and structure a series of cells written out by Evans to best accompany the recording. For the performance, a portable record player will be on stage with the performer - a live dialogue with a phenomenon of recording from the mid-20th century.

Percussionist Bonnie Whiting will be playing Evans' work for solo percussionist, field recordings and natural objects entitled The Narrow Aisle to the Deep North. The title is derived from a travelogue by 17th century Zen hermit poet Basho, entitled The Narrow Road to the Deep North. Basho’s work is written in a style that combines haiku with standard prose, and explores the landscape, natural events, societal phenomenon, observation of physical sensations and people he meets along the way. The sound of the spoken Japanese language and ideas are structured in a circular format that continue to mirror and relate back each other throughout his work (see chart). This solo percussion piece is written within a similar structure and is drawn from the same phenomenon, but in the context of sound. Whereas Basho's haiku capture a moment with two juxtaposed ideas, in this percussion solo there are a series of field recordings from Alaska and Washington juxtaposed with different stations that the percussionist moves amidst, playing traditional western percussion instruments as well as natural objects such as tree branches gathered from wherever the piece is being performed. In this way, The Narrow Aisle to the Deep North becomes a sonic travelogue - a record of Evans' work on his own in Seattle as well as his travels to Alaska to work with Whiting on percussion music in the fall of 2012.

The performance will be at 8pm on July 22nd at The Chapel in Seattle. Tickets are $5-15 sliding scale. A few short excerpts from the debut of The Narrow Aisle to the Deep North can be heard below.



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